
Inspired by themes from the works of Giordano Bruno, John Cage, Lewis Carroll, Georg Christoph Lichtenberg
CD available on the label 326Music
Spaghetti's Club
Contact production
Catherine Lefeuvre
Productrice
+ 33 (0)6 74 97 15 22
Contact technique
Jean Lambert-wild
Directeur artistique
+ 33 (0)6 85 05 00 13
Contact presse
Fabiana Uhart
Attachée de presse
+33 (0)6 15 61 87 89
Producer
Catherine Lefeuvre
Deputy director
catherine.lefeuvre@theatre-union.fr
+ 33 (0)6 74 97 15 22
Technical Contact
Tour Stage Manager
Press enquiries
Fabiana Uhart
fabianauhart@gmail.com
06 15 61 87 89
On tour
Etapes de travail à Berlin et a Sophia en Bulgarie
Diaries
En partenariat avec
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Spaghetti’s Club was first performed on 24 October 2002 at La Filature – Scène Nationale de Mulhouse (France)
Created by Jean-Luc Therminarias and Jean Lambert-wild
Inspired by Giordano Bruno, John Cage, Lewis Carroll, Georg Christoph Lichtenberg
Electronics, synthesisers and live spatialization Jean-Luc Therminarias
Music Jean-Luc Therminarias, Ali N. Askin
Written and directed by Jean Lambert-wild
Lighting Renaud Lagier
Costume designer Françoise Luro
Video maker Ersellia Ferron
Sampler and synthesiser Ali N. Askin
Musical tree Florent Haladjian
Extreme vocalist David Moss
Voices Bénédicte Debilly, Eric Houzelot, Stéphane Pelliccia
Sound Christophe Farion
Sound interface Laurent Pottier
Video interface Jeremy Bernstein
Technological cell Ad Herennium system, University of Technology of Belfort Montbéliard, Systems and Transports Laboratory - multi-agents systems research group
Research tutors Abder Koukam, Vincent Hilaire
University of Technology of Belfort Montbéliard Student Christopher Walker
Interactive 3D software in real time "AAASeed" Emmanuel Mâa Berriet
Deputy Stage Manager Thierry Opigez
Lighting Manager David Marze
Construction Manager Thierry Varenne
Make up Catherine Saint-Sever
Set builders Giovanni Parisse, Marc Terrier
Locksmiths Gilles Simon Perret, Yves Simon Perret
Costume makers Sandrine Mourot, Hélène Oliva
Coproduced by: Cooperative 326, Le Granit – Scène nationale de Belfort, MC 93 Bobigny – Maison de la Culture de la Seine-Saint-Denis, La Filature – Scène nationale de Mulhouse, CDDB-Théâtre de Lorient, Opéra Théâtre of Besançon, GMEM – National Centre of Musical Creation of Marseille, University of Technology of Belfort-Montbéliard (UTBM) Systems and Transports Laboratory.
Supported by Spedidam (Collective rights management society for musicians) and Dicream (Committee for multimedia artistic creation).
Supported for each work in progress by the French Association for Artistic Action – Conseil régional de Franche-Comté; CRIS/Chantier contemporain; Odéon - Théâtre de l'Europe; Theatre of the Bulgarian Army; Institut Français – Centre of Cultural Cooperation of Sofia; Villa Médicis off-site programme; Theatre and Dance Committee, Institut Français, Berlin; LXSolutions; La Graine